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plant stand i
part of a greater explortion using face veneer to create lightweight-structured furniture, this piece also considers modern, architectural interventions within historic, natural landscapes: for example, courtyards built around existing trees. how is this process reflected on a domestic scale and how might that reflection provide insight into the time-based processes of restoration? what does it mean to create work (in-part) focused on the philosophy, politics, and aesthetics of intervention, can one clarify its distinctions within a series of work? 
european beech and maple veneer
2024